Time for my annual post of all the books I read in 2024. I read 59 books, 36 of which were fantasy, with my next most common genre being non-fiction, with 10 books. In the next few weeks I'll highlight some of my favorites!

I'll post more reviews of these books in the coming months. Have you read any of these books? Were any your favorites? Let's discuss in the comments!

Happy New Year's Eve! It's time to check in on if I met my reading and writing goals for 2024!
Reading Goals

1) Read my physical TBR
Achieved! I read my backlog of physical books and bought more, for a total of 25 physical books.

2) Read what my friends are gushing about
Achieved! I read 12 books with my friends, including the ACOTAR series and the Crescent City series.

3) Find comps for my next book
Achieved! I found three recently published books that are great comps to my book.

4) Keep track of reading stats, but don't sweat
Achieved! I read 59 books and 24,133 pages.

Writing Goals

1) See what working with a professional editor is like
Achieved! I had the opportunity to work with Jeni Chappelle and it was amazing. Read about my experience here!

2) Polish my manuscript and send my first query for my next book
Achieved! I finished in time to pitch at a conference in September and have sent queries since. Keep your fingers crossed!

3) Keep up with my writing groups
This one got difficult at the end of the year when work got pretty overwhelming. I had to let go of my highest-volume groups, but was able to keep up with a couple groups that have a lower volume of reading. 

Who among us hasn't seen the skits from TikToker and author Hannah Nicole Maehrer about the sunshine assistant to a grumpy (but hot) villain? Now a series (Assistant to the Villain, Apprentice to the Villain, and in 2025 Accomplice to the Villain), the quirky pairing is on the page for all of us to enjoy.

Evie Sage, desperate for a job, takes a position as an assistant to the notorious local Villain. She prides herself on a job well done, so when it appears there's a traitor in the office, she decides to sort out the problem. With plenty of pining for the handsome but not HR approved boss, this book and its sequel are popcorn for fans of romantasy.

I enjoyed the grumpy/sunshine pairing at the heart of the book, the pining with an actual reason not to make moves on said pining, and the wit throughout. Both were funny novels that clearly weren't being too serious or dark, despite the main characters being the purported bad guys.

There were a few worldbuilding questions I had that were left unanswered, and sometimes the romance crossed into definitely a couple territory, before pulling backwards for no clear reason and being like "wow we made out but does he like me?" Was that enough for me to put the books down? No.

This series is for you if you're looking for lighthearted, humorous romantasy, a grumpy/sunshine pairing, or a classic fairytale vibe without it being a literal fairytale rewrite. This book is not for you if you're looking for epic fantasy levels of worldbuilding, if you don't want a workplace romance, or if you want fantasy with a literary flavor.


Have you read Assistant or Apprentice to the Villain? What did you think? Let's discuss in the comments!

I'd had my eye on Story Engineering by Larry Brooks for a while before I came across it in a second hand shop. My copy is covered in pencil underlining the most random words and phrases, but it's clear where the previous owner stopped reading, as the pencil disappears. A bit tragic that this other author never finished, but it was a win for me, because I got to have this book at last.

Overview
Story Engineering: Mastering the 6 Core Competencies of Successful Writing is 278 pages (paperback) of explanations of what a story needs, why it needs that, and tips on execution. The six competencies themselves aren't shocking to seasoned writers, but each section discuss a competency in depth, offering examples or exercises. The book ages itself with references to the Da Vinci Code often and a joke about Bill Clinton, but otherwise the advice is fairly timeless. 

My Experience
I highlighted something in most chapters, but the section I've returned to is about character. This book explained one, two, and three dimensional characters in a very practical manner that I'd never seen anywhere before. It changed how I'll see character dimensions forever, and will hopefully help me write deeper ones. A lot of the rest of the information, though useful, was information I've seen before. Story beats and what's happening in them, what is an idea vs a concept, voice, etc. All great reminders, but not exclusive to this text.
My only complaint is that the book hyped itself a lot. It often repeated how the six competencies would make me a better writer--and then not explain what they were, and would go on about how important they were with no other explanation. It happened often enough at the end of chapters that I'd just skip ahead to the next one.

Is It Worth It?
I paid $8 for my used copy from a locally owned independent bookstore. That alone is worth it. If you're looking for a book that gives an overview of what makes a solid story and guides you on how to get there, this is a great option. It's not too in depth on any one topic, so it feels more introductory than I'd hoped, but there were still valuable ideas that helped me as a writer. Overall, I'd say this is worth the read to improve your writing craft.

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Have you read Story Engineering? What about the sequel, which is on my TBR, Story Physics? Let's discuss in the comments!

There's another version of the cover with different colors which is also fabulous. Shout out to the cover designer!

The Phoenix Keeper by S.A. MacLean debuted this past August, and I found it on a list of new books on Instagram. From the moment I read the concept I knew I had to read it: a zookeeper for Phoenixes is determined to restore her zoo's breeding program but the last zoo to make the attempt had their phoenixes stolen. It's cozy fantasy with a queer romance subplot. I'm using it as a comp for the book I'm currently querying because my book also involves fantasy zookeeping, flirting while working at said zoo, and the theme of letting go of the fear of failure.

Aila is the zookeeper in question, a very shy and anxious animal lover who has her dream job of being the phoenix keeper at her hometown zoo. She's great with her BFF, but with anyone else from guests to crushes, she's not as capable. When the phoenix chicks at another zoo are stolen, Aila's program has the chance to step up and become the next breeding facility. However, Aila can't do it all alone, and must learn to ask for help, including from attractive griffin keepers, if she's going to achieve her dream, and protect her phoenixes.

As a former zookeeper, I enjoyed the zookeeping parts of this book, which were realistic despite the animals being fantasy. I really liked the grounded nature of it. I thought the plot was enough to keep be entertained and had specific, achievable stakes. (If you've listened to the podcast, you know I don't always find that the case for things described as cozy.) As a side note, one of my random favorite parts of this book was Aila's family's restaurant. It was a fantasy world fusion as nonsensical as Carlos O'Kelly's, the very real Irish/Mexican midwestern restaurant. If that's not what S.A. MacLean based Aila's family's restaurant on, then I will be blown away. Another thing I liked about this book was that Aila was a really high achiever in school, and was terrified of failing as an adult. (Oh look, it's me!) Her whole character arc, and the theme of the book, was letting go of that fear, figuring out that asking for help is not fear, and realizing you can be successful without that fear.

There were some things that didn't always work for me. I'm a person who suffers from second hand embarrassment, so when characters are too cringy (which the author is doing on purpose because the character is supposed to grow, I know!) then I really struggle and have to skip ahead. Since Aila's social anxiety was so bad, I had to skim some of the more painful interactions. I also knew who was helping the smugglers immediately, so there was no tension there, so I experienced less tension than most readers will. There were also a lot of place and animal names, so I admit I didn't keep track of some after a while.

This book is for you if you love zookeeping/zoos/wildlife breeding programs, fantasy animals, queer romance, or lower tension (cozy) fantasy. This book is not for you if you have social anxiety that can be heightened by reading about others' social anxiety, if you need higher external stakes, or if you're not interested in a romance subplot.


Have you read The Phoenix Keeper? Which was your favorite animal? Let's discuss in the comments!

As part of winning the Dark and Stormy short story contest with BARN this year, I got to read five minutes of my short horror story, Waxing Fame, at the annual BARN Dark and Stormy party. It was a fun and full event with amazing published authors from the area who read stories and excerpts of their work. There was also a great liaison from a local museum who talked about a serial killer in Bainbridge's history. Everyone who shared did a fabulous job, and it was a very entertaining night. My reading went well, partially because I'm used to public speaking, but I'm sure many other writers aren't. If you are preparing for your first public reading (or your 100th public reading) and are looking for tips, here are mine!

1. Practice practice practice
Read your story aloud at home alone over and over again. You want to make sure you aren't tripping over names, phrases, scene breaks, etc. The more of your story you memorize, the easier it will be to follow my next pieces of advice.

2. Look up!
Every now and then as you read (every 3-5 sentences, at most) look up from your paper and in the direction of the audience. Some readings you'll have lights pointed at you so you won't be able to see anyone specific, and other times you'll be able to see each and every face. If eye contact while public speaking makes you nervous, just look at people's eyebrows. Do a sweep, don't just focus on one person. This is most effective when done during dialog, especially anything you want to emphasize, like a prophecy, threat, or joke.

3. Stick to the time
Whether you're in a line up with other writers, or you're doing a solo reading, your venue will probably ask you to read for a certain amount of time. Stick to it! Even if you have to stop in the middle of your story, it's fine to leave readers wanting more. They may buy your book or look up your short story to find out what happens. It also builds a good relationship between you and the venue if you're respectful of their request. If you're one of several people reading, sticking to the time is essential to make sure everyone gets a chance to share.

4. Fake It Til You Make It
Nervous? The audience will notice. Even if you have jitters in your seat, when you get up to read, put on a smile and pretend you're the most comfortable pubic speaker of all time. Play act as someone else, a you from a parallel universe who doesn't fear public speaking. That can give you a level of distance from your performance so you can say "well it wasn't me the audience was judging, it was the character I was playing." You can also pretend the audience already knows and loves you and your writing. Whatever method of pretending you need to do, give it a shot. Deep breaths, smiling, and standing up straight can even trick your brain into calming down, so by the end of your reading you're not pretending to be confident anymore, you actually are.

5. Roll with the Punches
Sometimes chaos ensures, such as something balanced on the podium falling while you read, or a disturbance occurring in the audience. You can pause to make sure everything's okay (certainly don't read through someone having a heart attack, for example), but if all's well, it's fine to laugh off little things or make a comment acknowledging a little chaos, and then dive right back in to the story. No need to point out small things like someone leaving, because maybe they're just going to the bathroom or taking an important call. Don't let interruptions, major or minor, derail you. If you've lost your place on the page, buy a little time with the classic "where was I?" until you find it, then repeat the last sentence before the interruption and chug right along.


I hope those tips help you prepare for you next live reading. Have more questions or tips you want to share? Drop them in the comments!

What's an Agent's Guide?
For anyone not aware, there's a trend going around the writing community, specifically among querying writers. The trend is to create a set of images to post on social media about the novel they're querying and calling those images an agent's guide. It's an overview of the book to give a sense of the vibes, concept, and aesthetic along with some basic facts like genre, word count, and a pitch. These are generally pinned on Twitter (X) to be on the top of the writer's profile so any agents who click on their profile for any reason can see the concept right away. I have a guide on my Twitter and Instagram, but thought it was also be good to have on my website. 

​My agent's guide is below, with alt text descriptions between each image, for accessibility.

Alt text: Image 1: An agent's guide to THAW. 102, 000 words, adult fantasy

Alt text image 2: Pitch: Famka, an unlicensed magic user, must that her frozen father without being caught illegally wielding magic, or she'll be conscripted and shipped to the border, from which no soldiers have returned.

Alt text image 3: Comps and vibes: Divine Rivals by Rebecca Ross, The Phoenix Keeper by S.A. MacLean, Emily Wilde's Encyclopedia of Faeries by Heather Fawcett, Jade City by Fonda Lee, Eyes Closed by Ed Sheeran, The Good Witch by Maisie Peters, Cold as You by Taylor Swift, Sailor Moon, Frozen (how could I not?)

Alt text image 4: Tropes and Themes: cozier fantasy, Dutch secondary world, 1950s aesthetic, messy family, secret workplace romance, fighting evil by moonlight/winning love my daylight, murder mystery, revenge on an abuser (no abuse on page!), burnt out former gifted kid.

Note about the creation of this guide: This guide was made using the free version of Canva. AI was not involved.

The Bainbridge Artisan Resource Network (BARN) had their first annual Dark and Stormy short story contest this year with a theme of uncanny valley. I entered because I enjoy short horror writing, and I won! I'm so excited to share my story Waxing Fame at the BARN Dark and Stormy party later this month!

Air Awakens by Elise Kova came across my Instagram in a list of books to read after finishing A Court of Thorns and Roses series (ACOTAR.) It was pitched as Avatar: The Last Airbender (ATLA) meets ACOTAR, and since ATLA is my favorite show of all time, that comparison was all I needed. Air Awakens is the first of a five book series that came out in 2015-2016 and were indie published by the author. She has seven series total, some indie and some traditional, and she's hit best sellers lists.

Air Awakens follows librarian-in-training Vhalla. When asked to find a cure for a prince injured by a magical weapon, Vhalla surprises herself by unlocking her own buried magic to find the information. The healed prince delves into her powers only to discover she has an affinity for air magic, a power thought lost over 100 years ago. His affinity is fire, but he still attempts to tutor her, despite her protests that she doesn't want to do magic. But when other power players begin making moves, Vhalla has little choice but to embrace magic and the dangers it brings.

There was some really cool worldbuilding in this book, for example someone with an affinity for one of the elements can also do other things within that element's category, like word magic along with air magic. Vhalla and the prince had decent banter that made for some enjoyable chemistry.

I struggled sometimes with how overly similar it was to ATLA, like the air affinity people having been all (or nearly all) killed 100 years ago. The fire prince with daddy issues. A large war going on. The air user needing training. I kept picturing the woman who plays Aang in the Ember Island Players episode as Vhalla and Zuko as the prince. Is that fair to the author or book? No. Did it decrease my enjoyment of this book? Yes. However, a more book-related critique is that the prince's personality felt wildly different in his POV vs her POV. Not in a he's so mysterious and private kind of way but in a is this the same man way.

This book is for you if you enjoy elemental magic systems, bad boy prince love interests, or if you were a Zaang shipper when you watched ATLA. It's not for you if you love ATLA so much that you won't be able to unsee the similarities, if you are not a fan of morally gray/bad boy love interests, or if you're not in a headspace to read about genocide, war, or city bombings.


Have you read Air Awakens? The entire series? Do you recommend any of Kova's other series? Let's discuss in the comments!

The Travelling Cat Chronicles by Hiro Arikawa was recommended by my writing group. It's very popular in Japan where it was published in 2012 and has been translated into many languages, including English (2017). If you're worried that the cat will die, rest easy. The main character, Nana, is not in danger.

Nana begins life as a stray, but is adopted by his owner, Satoru, who takes him in after Nana is hit by a car. Satoru begins travelling around Japan meeting with people from throughout his life and Nana learns about his owner's past as well as the friends'. Often, Nana is a comfort and some sort of emotional wound is healed with each stop. However, Nana soon realizes that Satoru must have a reason for all this travelling, and it is perhaps in Nana's best interest to not get close to Satoru's many friends.

This was a very cute book told from the POV of Nana, which I thought would get old but stayed cute. The way it built our understanding of Satoru was well done. The ending was so beautiful that I ugly cried.

On the downside, I ugly cried. Thankfully, I saw it coming and finished the book at home and not on my commute.

This book is for you if you love cats or pets in general (remember: Nana does not die!), bittersweet endings, contemporary Japan, or if you have something in your eye and need to cry to get it out. This book is not for you if you'll be reading in public or away from tissues, if you hate cats or pet ownership, or if you are not in the headspace to read about death (this is not a spoiler: Satoru's parents died, when he was a child, which is discussed when he visits his friends). 


Have you read The Travelling Cat Chronicles? Did it make you sob too? Let's discuss in the comments!